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Wil Bakula carries the weight of Hollywood names without chasing spotlights. Born in December 1995 as the son of actors Scott Bakula and Chelsea Field, he turned to music at age 29. He plays keyboard for the indie band Chromatic Colors and directs videos on the side. His work earns quiet praise in Oregon’s scene. With a net worth of $300,000, Wil keeps life simple and private. This profile traces his steps from family dinners to stage lights.
| Fact | Details |
|---|---|
| Full Name | Wil Bakula |
| Date of Birth | December 1995 |
| Age (2025) | 29 |
| Height | 5 feet 8 inches |
| Weight | 154 pounds |
| Profession | Musician, keyboardist, director |
| Net Worth (2025) | $300,000 |
| Band | Chromatic Colors |
| Parents | Scott Bakula, Chelsea Field |
| Siblings | Chelsy, Owen, Cody Bakula |
These details come from public records and music profiles. They show a man who values craft over fame.
Wil entered a world shaped by scripts and sets. His father, Scott Bakula, starred as time-traveler Sam Beckett in Quantum Leap (1989-1993), earning four Emmy nods. Scott later captained the Star Trek: Enterprise (2001-2005) crew.
His mother, Chelsea Field, landed roles in The Last Boy Scout (1991) with Bruce Willis and Masters of the Universe (1987) as Julie Winston. She joined Scott on NCIS: New Orleans (2014-2019) too.
The couple met on a 1990s film set and married soon after. They raised Wil in Los Angeles, blending red carpets with backyard barbecues. Scott often skipped premieres for school plays. Chelsea pushed creativity without pressure. “Family comes first,” Scott told People in a 2000 interview.
Wil shares the home with three siblings. Half-sister Chelsy, born 1984 to Scott’s first marriage, popped up as a kid in Quantum Leap. Owen, born 1999, dances with Columbia City Ballet and models while identifying as non-binary.
He sings and acts too. Adopted brother Cody, from 1991, studies gemology and crafts jewelry in private. The four stay close, trading tips on tours and studios. Wil credits this setup for his grounded start—no silver spoons, just shared dreams.
School sharpened Wil’s ear for melody. He attended Loyola High School in Los Angeles, a Jesuit spot known for arts programs. There, he joined bands and tinkered with keyboards during lunch. Classmates recall him skipping football for garage jams.
In 2014, Wil headed to Willamette University in Salem, Oregon. The small liberal arts school suited his pace. He majored in music, diving into composition and production. Campus gigs built his setlist. Oregon’s rainy vibes fueled lyrics about growth and roots. By graduation in 2018, Wil had logged hours in local clubs. “College taught me to play for the room, not the crowd,” he shared in a 2020 SoundCloud note.
These years marked his pivot. Acting tempted him—family ties ran deep—but music pulled harder. He skipped auditions for song drafts.
Wil built his sound brick by brick. After college, he moved to Portland, Oregon’s indie hub. He linked with Katy Ohsiek, a vocalist with fusion-pop flair. Together, they sparked Chromatic Colors in 2019. Nick Burton on bass and Justin Kiavongcharoen on drums rounded it out. The band mixed synths with folk edges, drawing PNW crowds.
Wil handled keys and co-wrote tracks. He shunned his dad’s contacts. “I want ears on the music, not the name,” he posted on Twitter in 2021. Early shows packed dive bars. Fans latched onto honest themes—expectations vs. reality. By 2022, they toured the West Coast, hitting Seattle and Eugene spots.
The band hit a stride with their 2023 debut album Nature/Nurture. It explored nurture’s role in talent—fitting for Wil. Tracks like “Roots” clocked 50,000 streams on SoundCloud. Social media went quiet in 2024, hinting at a hiatus. Members chased solos, but Wil hints at reunions.
Wil’s bank account reflects steady grind. As of 2025, his net worth holds at $300,000. That’s up 10% from 2024, per music industry trackers.
Gigs drive most income. Chromatic Colors charged $500-1,000 per show pre-hiatus, netting Wil $20,000 yearly from 20 dates. Royalties from streams add $10,000 annually—modest but growing. Video directing fetches $5,000 per project; he’s done three since 2022. No endorsements yet—he turns down brand deals to keep art pure.
Compare to Scott’s $10 million: Wil’s slice stays small by choice. He invests in gear, like a $2,000 synth rig. Future royalties could double his total if the band revives.
Wil guards his inner circle like a vault. No confirmed partners surface in public scans. At 29, he dodges marriage talk. “Love’s a solo track sometimes,” he joked in a rare 2023 interview with Audiofemme. Searches turn up zero engagements or dates.
Family anchors him. Weekly calls with Scott cover script reads—Wil skips the fame. Chelsea sends care packages of sheet music. Siblings text tour pics; Owen’s ballet shows draw the crew. They gather in LA twice yearly, cooking Italian like old times.
This setup suits his rhythm. Wil lives solo in Portland, prioritizing quiet over parties.
Wil’s days run on coffee and chords. He wakes at noon for studio sessions, logging eight hours daily. Evenings mean bike rides along the Willamette River or vinyl hunts at local shops. His apartment? A modest two-bedroom in Southeast Portland—think exposed brick, keyboard stacks, no Hollywood gloss. Rent runs $1,800 monthly; he splits time with Oregon family visits.
Hobbies keep it light: Hiking Multnomah Falls, brewing IPAs, reading Vonnegut. Food-wise, he grills salmon fresh from markets—Pacific Northwest style.
Philanthropy stays off-radar. No big donations noted. He supports local arts quietly, like tipping venue staff extra or mentoring young keyboardists at free workshops. “Give back without the flash,” aligns with his vibe. If more emerges, it’ll likely stay small-scale.
